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    Pants On The Ground


    2010 - 01.14

    Just in case you haven’t heard the new singing(?) sensation that is 63 year old Larry Platt and his soon to hit the late night talk show circuit hit, you are in for a rollicking treat.  I know that the age limit for American Idol is 28, but somehow sometimes the producers allow gimmicks such as Mr. Platt to slip through to perform for the judges.  This season’s big news is the departure of Paula Abdul and the coming of Ellen DeGeneres after the completion of the audition process and the arrival to Hollywood. Once again, it sounds like the acid wit of Simon Cowell might be exiting after this, the 9th season, of the show. Personally, I don’t think it will be as much of a ratings juggernaut without him.

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    That Time Of The Year… AGAIN


    2009 - 01.12

    Yes, tomorrow night begins the drama that has become known as American Idol.  This season promises to be as memorable as the past how many ever it has been (I’ve lost count).  There is going to be an added female judge joining Simon, Randy, and Paula.  Maybe she will inject added controversy with the often addled-appearing Paula Abdul.  I enjoy watching the first few weeks of the audition process when the producers put the worst of the worst before millions of television audiences.  Honestly, who can imagine this unfortunate soul singing(?) Like a Virgin being taken seriously?  I guess one should not scoff at someone attempting to fulfill a dream, but… Somehow future seasons saw contestants like William Hung and Sanjaya Malakar advance a few stages.  Curiosity will lead me to watch some this season, but it definitely does not have the appeal it once did.

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    Six Little Engines That Tried


    2008 - 04.22

    Tonight was the episode of “American Idol” that I have been waiting to see since season two. Not because it featured music from the Andrew Lloyd Webber songbook but that a good question was posed to a certain British judge whom everyone admires greatly: “Given the rather negative comments you pose to performers who would be better suited for the Broadway stage how does one approach these songs?” Mr Cowell responded: “Make them memorable yet contemporary.” A rather cryptic response if ever there was one.

    Six contestants remain. Those who were familiar with the songs showed it and those who were less familiar showed it (perhaps even more so).

    Syesha Mercado started the evening with “One Rock & Roll Too Many” from Starlight Express. Not being extremely familiar with the show, I cannot say too much about it. However, the bluesy rendition was quite nice.

    The next contestant, Jason Castro, did not fare as well. Even Lord Andrew commented that he never thought he would see the day when “Memory” would be sung by a young man in dreadlocks. The composer even provided a bit of background into the character from Cats who performs the song (“a rather old glamour puss”). Jason looked like the proverbial deer in the headlights on stage.

    The halftime performer, Brooke White, also had difficulty. The song “You Must Love Me” was composed by Lloyd Webber and Tim Rice for the movie version of Evita. It is sung by Eva Peron (played by Madonna) on her deathbed. Unfortunately, Brooke lost her lyric in the first line, stopped, apologized, and started over. I’m not sure if this would be allowed in an actual audition but to do so on a television show which is seen by (reportedly) millions of people each week takes some degree of chutzpah.

    The “contestant to beat” this year, 17-year-old David Archuletta, chose to take a diva song of nearly operatic proportions and turn it into a boy band pop ballad. Lloyd Webber wrote the role of Christine in Phantom of the Opera specifically for his wife at the time, Sarah Brightman. For a young man to change such a song with the composer sitting in the audience watching and listening takes a great deal of courage. However, good ol’ Simon did not find the performance especially memorable.

    The Irish female rocker, Carly Smithson, decided to change her song from “All I Ask of You” to the title track of Jesus Christ Superstar. A wise choice on her part.

    However, the final performer did not choose wisely. Male rocker David Cook attempted to sing “Music of the Night.” The rendition was as unimpressive as the movie version of Phantom of the Opera. I was hoping he would chose a song better suited to his rock sensibilities, but he decided to go a different route and it just did not work.

    I guess I found half of the performances enjoyable. But as Lord Andrew told most of the contestants: you must know not only what you are singing but also what you are singing about. Find the meaning behind the words.

    It’s Just A Flesh Wound, Honestly


    2008 - 04.20

    Tuesday night’s American Idol will feature the finalists performing the music of Lord Andrew Lloyd Webber. I really do not have a problem with this per se. However, I do recall on several occassions when the judges have commented that a contestants performance is better suited for the Broadway stage and not what would make a good money-making pop star. To me, the finalists should be well versed in multiple genres of music. Why should they appeal to only screaming, teenage fans? There are other outlets for people with some degree of musical talent.

    There have actually been attempts to integrate musical theatre songs into the realm of “popular” culture. In the late 70s, the soundtrack from the movie Grease generated several songs which were popular hits. In the late 90s, the British boy band Boyzone had a modest US hit with the song “No Matter What” from Webber’s Whistle Down the Wind.

    Recently, former American Idol contestants have also gone on to appear on the musical stage. Third season champion Fantasia Barrino was cast as Celie in The Color Purple. In January 2008, second season runner-up Clay Aiken joined the cast of Spamalot as Sir Robin.

    While the music of the theatrical stage may not appeal to everyone, it will be very interesting to see the American Idol contestants takes on the songs of Andrew Lloyd Webber. They may introduce audiences who would otherwise steer clear from the genre or one of them may become tomorrow’s Broadway star.