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    It’s Just A Flesh Wound, Honestly


    2008 - 04.20

    Tuesday night’s American Idol will feature the finalists performing the music of Lord Andrew Lloyd Webber. I really do not have a problem with this per se. However, I do recall on several occassions when the judges have commented that a contestants performance is better suited for the Broadway stage and not what would make a good money-making pop star. To me, the finalists should be well versed in multiple genres of music. Why should they appeal to only screaming, teenage fans? There are other outlets for people with some degree of musical talent.

    There have actually been attempts to integrate musical theatre songs into the realm of “popular” culture. In the late 70s, the soundtrack from the movie Grease generated several songs which were popular hits. In the late 90s, the British boy band Boyzone had a modest US hit with the song “No Matter What” from Webber’s Whistle Down the Wind.

    Recently, former American Idol contestants have also gone on to appear on the musical stage. Third season champion Fantasia Barrino was cast as Celie in The Color Purple. In January 2008, second season runner-up Clay Aiken joined the cast of Spamalot as Sir Robin.

    While the music of the theatrical stage may not appeal to everyone, it will be very interesting to see the American Idol contestants takes on the songs of Andrew Lloyd Webber. They may introduce audiences who would otherwise steer clear from the genre or one of them may become tomorrow’s Broadway star.

    Happiness Is….


    2008 - 04.20

    Going waaaaaay off on a tangent, I believe that my first acting gig was in the first grade as a balloon salesman who had one line: “Balloons for sale! BALLOONS FOR SALE!!! Red and YELLOW AAND GREEN BALLOONS!!!” And the finale was a ditty entitled “H-A-double P-I-N-E-double S.” But that is not what this post is about.

    Friday evening I had the opportunity to take my four-year-old niece to see a production of You’re a Food (Er… GOOD… sorry) Man Charlie Brown. Happily, she was a very good audience member.

    The musical is a fun vignette of scenes featuring the main characters of Charles Schultz immortal comic strip “Peanuts.” We have the siblings Lucy and Linus; the Beethoven fanatic Schroeder; little Sally; and of course the well meaning, though perpetually insecure title character. However, the star of the show is the scene-stealing beagle, Snoopy. Whenever the canine is on stage, the action seemed much more alive, energetic, and fun. Whether he was aboard his trusty Sopwith Camel as the World War I flying ace in search of the dasterdly Red Baron, simply chasing rabbits, or singing the praises of his favorite time of day: “Suppertime,” the actor totally exemplified the exuberance of Joe Cool.

    Another fun scene is “Book Report” in which Charlie Brown, Lucy, Schroeder, and Linus all attempt to compose a report on Beatrix Potter’s classic story “Peter Rabbit.” Each character at times in solo and at other times in a quartet, gives voice to the words they are formulating on paper.

    The set of the show was also very well imagined. The trees, doghouse, fence, big comfy couch, etc. were all constructed in such a way that the comic strip was brought to brilliant life. While in the dogfight (HAHAHA) with the Red Baron, Snoopy’s giant doghouse actually moved up and down just enough to give the illusion of flight. The only thing missing, according to the critical eye of a four-year-old, was the sun and clouds.

    You’re a Good Man, Charlie Brown is a fun show for all ages. Although I was not sure how a young girl would act during the performance, I was actually glad that I was able to take her.